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            <url>
                        <loc>https://sarahanderson.org/my-cannibal-1</loc>
            
            
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                                            <image:caption>&lt;span style=&quot;--font-scale: 1.17;&quot;&gt;&lt;b&gt;Installation View&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Tyvek, silica beads, chair, inkjet prints, marble, granite, encaustic; Enamel on aluminum sheet; pink wall; video&lt;br /&gt;
&lt;br /&gt;
Dimensions variable
</image:caption>
                                    </image:image>
            
                
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        </url>
            <url>
                        <loc>https://sarahanderson.org/conspiracies-are-things</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
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                <image:image>
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        </url>
            <url>
                        <loc>https://sarahanderson.org/lamama</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2900751083711797917746451306449/volcano_black-SMALL.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://sarahanderson.org</loc>
            
            
            <lastmod>2026-04-30T16:28:45+00:00</lastmod>
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            <priority>0.5</priority>


            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/V2161617531891955793995578333137/final.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://sarahanderson.org/works</loc>
            
            
            <lastmod>2026-04-30T19:46:59+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
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        </url>
            <url>
                        <loc>https://sarahanderson.org/works-1</loc>
            
            
            <lastmod>2026-04-30T18:59:44+00:00</lastmod>
            <changefreq>always</changefreq>
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        </url>
            <url>
                        <loc>https://sarahanderson.org/painting</loc>
            
            
            <lastmod>2026-04-30T14:57:28+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2161669506921549043964344129489/thum_offensive_drivers.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/painting-1</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://sarahanderson.org/painting-index</loc>
            
            
            <lastmod>2026-04-30T14:33:39+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://sarahanderson.org/water-polo</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2610640419739479306408534595537/offensive_drivers_LARGE_WEB.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Moves For Offensive Drivers II&lt;/i&gt;&lt;br /&gt;
2014&lt;br /&gt;
Encaustic, graphite, Tyvek, acrylic, wood, mirrorized blown glass&lt;br /&gt;
12 in x 20 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2911907708820074687589864560593/Grand_fake2026_WEB.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Grand Fake&lt;/i&gt;&lt;br /&gt;
2014&lt;br /&gt;
Encaustic, graphite, Tyvek, acrylic, wood&lt;br /&gt;
12 in x 20 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2911912703921668687030798899153/anderson_offensive_drivers2026_WEB.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Moves For Offensive Drivers II&lt;/i&gt;&lt;br /&gt;
2014&lt;br /&gt;
Encaustic, graphite, Tyvek, acrylic, wood, mirrorized blown glass&lt;br /&gt;
12 in x 20 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/arrow-index</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2621560491235792686666973566929/butweswitched.jpg</image:loc>
                                            <image:caption>&lt;i&gt;BUT  WE  SWITCHED&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Encaustic, enamel and gold leaf on panel&lt;br /&gt;
22.5 x 33.5 inches&lt;br /&gt;
2013&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2621560704849089060223581280209/slotB.jpg</image:loc>
                                            <image:caption>&lt;i&gt;SLOT B&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Encaustic, enamel and gold leaf on panel&lt;br /&gt;
14.5 x 21.5 inches&lt;br /&gt;
2013&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2621560704867535804297290831825/tab-a.jpg</image:loc>
                                            <image:caption>&lt;i&gt;TAB A
&lt;br /&gt;
&lt;br /&gt;&lt;/i&gt;Encaustic, enamel and pigment on panel&lt;br /&gt;14.5 x 21.5 inches&lt;br /&gt;2013</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2621560704812195572076162176977/marrowVSmarrow.jpg</image:loc>
                                            <image:caption>&lt;i&gt;MARROW VS. MARROW&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Encaustic, enamel and gold leaf on panel&lt;br /&gt;
17 x 26 inches&lt;br /&gt;
2013&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/on-my-volcano-grows-the-grass</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2621589842532817896661803194321/full_01.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2621589842514371152588093642705/big-volcano.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2621589842477477664440674539473/big-volcano_2ADJUST.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2621590026262388870808937289681/rustling_rocks.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2621590026299282358956356392913/volcano_black.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2621590026317729103030065944529/volcano_nasa-copy.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2621590026225495382661518186449/On-my-volcano-grows-the-grass-SS-SAN-22-03.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2621590026280835614882646841297/volcano_18x15.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2621590026336175847103775496145/white-volcano.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/glacier-series</loc>
            
            
            <lastmod>2026-04-30T16:28:46+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2610631951171316459680159619025/Sarah-Anderson_001_A-Figure--No-Organs_2025_2.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2610631951208209947827578722257/Sarah-Anderson_001_A-Figure--No-Organs_2025_3.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2610631951226656691901288273873/Sarah-Anderson_003_Mirrors-can-be-anything-but-reflective_2025_1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Mirrors can be anything but reflective&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2025&lt;br /&gt;
Watercolor, varnish, gesso, and marble dust on linen; aquaresin on plexiglass&lt;br /&gt;
24.25 in x 20 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2610632071813022701740627187665/AFigure_NoOrgans.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;A Figure, No Organs&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2025 &lt;br /&gt;
Watercolor, gesso, and marble dust on linen; volcanic rock; walnut, aquaresin, pigment, plexi, and aluminum &lt;br /&gt;
27 in x 25 in x 3.75 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2900975694366692409630132393937/SeaIce.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Sea Ice&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2024&lt;br /&gt;
Watercolor, gesso, and marble dust on linen&lt;br /&gt;
18 in x 20 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/sculpture-2</loc>
            
            
            <lastmod>2026-04-30T14:33:38+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2610693167447841571849288931281/prt_508x600_1489534041.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/sculpture</loc>
            
            
            <lastmod>2026-04-29T13:39:39+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://sarahanderson.org/sundry-wood</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2900651549360420806106547345361/detail_leg.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2900651549378867550180256896977/IMG_9890.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2900651549305080573885418690513/CC_IMG_2977.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Emily D&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2020&lt;br /&gt;
Walnut, aluminum, rubber&lt;br /&gt;
5 in x 6 in x 13 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2900651549286633829811709138897/Anderson_Sarah_7.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Tongue →  Groove&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2022&lt;br /&gt;
Walnut, aluminum, plastic, neon, plexiglass, medical coolers, plaster, aquaresin, acrylic&lt;br /&gt;
19 in x 19 in x 54 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2900651549415761038327676000209/IMG_9961.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2900651549341974062032837793745/CC_IMG_2990.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2900651549323527317959128242129/CC_IMG_2985.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2900651879372672284770425755601/pineman.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2900657615000360379207600166865/pineguy2.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Tab A, slot TBA&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2021&lt;br /&gt;
Pine, aluminum, plexiglass, medical cooler, rubber cord&lt;br /&gt;
11 in x 11 in x 22 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/the-bodythe-whale</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2610579342108682652240395229137/chairside.jpg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;i&gt;The body/the whale&lt;/i&gt;&lt;/b&gt; &lt;br /&gt;
&lt;br /&gt;
2012&lt;br /&gt;
Plywood, upholstery foam, copper, lacquer &lt;br /&gt;
60 in x 30 in x 42 in&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;The body/the whale&lt;/i&gt;&lt;/b&gt; is a sculpture of a chair. Its form references the work of Carlo Mollino, who produced objects that fully integrated his fetishes of the female body with their design and function. The sculpture is a dual character in the related video, &lt;i&gt;&lt;b&gt;The Ghost Ship&lt;/b&gt;&lt;/i&gt;: the &amp;#x22;chair&amp;#x22; plays both Ahab and the Whale, a slippery role in which violence and desire confuse the relationship between subject and object, victim and perpetrator, lover and desired.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2610579342034895675945557022673/chairback.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2610579342071789164092976125905/chairfront.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2610579341961108699650718816209/chair_01.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2610579342090235908166685677521/chairleg.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2610579342016448931871847471057/chair.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/project-total-yang-the-head-1</loc>
            
            
            <lastmod>2026-04-29T13:39:39+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2610335131511508682852478867409/Anderson_04.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2610335131548402170999897970641/detail_eyebrow.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2610335131603742403221026625489/eyebrow.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;The thin edge of the wedge, where the mouth starts to curve&lt;/i&gt;&lt;br /&gt;
2020&lt;br /&gt;
Dibond, pine strainer, aluminum, door hanging hardware, plastic, plywood, neon, walnut cleats, casters; THE HEAD fragment: plaster and foam&lt;br /&gt;
54 in  x 19 in  x 52 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2610335131529955426926188419025/Anderson_Sarah_4.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2610335131566848915073607522257/detail_eyebrow3-copy.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2610339890716139467695667140561/Ear_detail4.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2610339890623905747327119382481/Ear_detail1.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2610339890697692723621957588945/Ear_detail3.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2610339890679245979548248037329/Ear_detail2.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2610339890734586211769376692177/Ear_full.jpg</image:loc>
                                            <image:caption>&lt;i&gt;My words are learning to walk on crutches through traffic (THE HEAD)&lt;/i&gt;&lt;br /&gt;
2016&lt;br /&gt;
Plaster, foam, brass, mirrorized aluminum, neon; THE HEAD fragment: plaster and foam &lt;br /&gt;
24 in x 18 in  x 78 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2610344327508577332243312269265/Anderson_Sarah_03.jpg</image:loc>
                                            <image:caption>&lt;i&gt;There is no point in knowing what you want&lt;/i&gt;&lt;br /&gt;
2022&lt;br /&gt;
Wood, dibond, aluminum, neon, plastic gears, rubber cord, walnut cleats, casters; THE HEAD fragment: plaster and foam&lt;br /&gt;
51 in x 51 in x 17 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2610344528541194247530005780433/02_There_is_no_DETAIL.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2610344528633427967898553538513/detail_gear3_WEB.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2610344528614981223824843986897/detail_gear2.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2610351306741963899883618424785/IMG_9944_SMALL.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2610351306668176923588780218321/Anderson_Sarah_4.jpg</image:loc>
                                            <image:caption>&lt;i&gt;YOU NEVER CRIED JUST STARED (THE HEAD)&lt;/i&gt;&lt;br /&gt;
2018&lt;br /&gt;
Dibond, wood, neon, rubber wire, door caster, brass, steel, aluminum, plastic, paint, transformer; THE HEAD fragment: plaster and foam &lt;br /&gt;
37 in  x 27 in  x 17 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/molloymoran</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2610395084831700788497156790225/molloy.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Net result, I stayed where I was. (Molloy)&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
2014&lt;br /&gt;
Cement, industrial rubber tubing, spring, rope, glass, wire, Tyvek, silica beads&lt;br /&gt;
14 in x 14 in x 96 in&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2610396934892557428975507462097/moran.jpg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;i&gt;To live isn’t enough for them. They have to talk about it. (Moran)&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
2014&lt;br /&gt;
Cement, industrial rubber tubing, spring, maple, wax, microcontroller, motor&lt;br /&gt;
36 in x 36 in x 120 in&lt;br /&gt;
&lt;br /&gt;
The upper part of &lt;i&gt;&lt;b&gt;Moran&lt;/b&gt;&lt;/i&gt; hangs from an industrial spring. A motor attached to the top of the spring extends and retracts on a 15 minute timer, producing a vertical bounce that starts high and steeply slows until the next activation cycle. It never makes contact with its lower end, but relays the ball‐and‐socket relationship between the two parts. &lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/persona-(film-still)</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2610363583769567972464891385809/_MG_0303.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2610381168441950885348031715281/IMG_0205_b.png</image:loc>
                                            <image:caption>&lt;i&gt;Persona Still&lt;/i&gt;&lt;br /&gt;
2015&lt;br /&gt;
Factory finish enamel on aluminum sheeting &lt;br /&gt;
60 in x 48 in&lt;br /&gt;&lt;br /&gt;
The glossy enameled surface is sanded and scratched to create text and highlights and shadow tones in the aluminum’s surface, imaging the faces of the two protagonists of Bergman’s film Persona. White areas are made by completely removing the enamel and polishing the underlying aluminum to as full a mirror finish as possible.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/the-nudes</loc>
            
            
            <lastmod>2026-04-29T13:39:40+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2610433677892166694756217378769/wideshot_nudes-copy.jpg</image:loc>
                                            <image:caption>Installation  view:&lt;br /&gt;
&lt;b&gt;&lt;br /&gt;
To fill a Gap / Insert the Thing that caused it ← &lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
From left: &lt;i&gt;&lt;b&gt;Nude #4, Nude #3, On my volcano grows the grass&lt;/b&gt;
&lt;/i&gt;&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2610433887557859836538981046225/nude-5.JPG</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Nude #5&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2023&lt;br /&gt;
Fresco object, steel cart, plexiglass, inkjet print, aqua resin&lt;br /&gt;
27 x 25 x 45 in&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2610433887520966348391561942993/lava.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2610434352637171422904196388817/DSCF8073.JPG</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2610434352618724678830486837201/DSCF8071.JPG</image:loc>
                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;&lt;br /&gt;&lt;br /&gt;
The series performs the queer body as a dormant volcano turned active, or an active volcano that is not erupting but is expected to erupt again. Wheeled sculptures are mounted with fresco objects, as well as with images of erupting volcanoes, Pompeian frescoes, and submission wrestling erotica. &lt;br /&gt;&lt;br /&gt;
The works position the immediacy and impulsiveness of desire in relation to the more expansive notions of time invoked by volcanic activity and the preserved remains of Pompeii. ‘Ancient’ art processes that are distinguished by their capacity to survive catastrophic destruction- like fresco- offer up moments that disrupt our sense of how time scales. &lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2610434352581831190683067733969/cart-4.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Nude #3&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2022&lt;br /&gt;
Fresco arch, steel cart, plexiglass, inkjet print&lt;br /&gt;
24 x 18 x 46 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/project-total-yang-hanging-fresco</loc>
            
            
            <lastmod>2026-04-29T13:39:39+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2418361983954674434368064313297/HMI_full1.jpg</image:loc>
                                            <image:caption>










&lt;b&gt;&lt;i&gt;&lt;br /&gt;
Hanging Fresco I &lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
2016-2018&lt;br /&gt;
Dibond (aluminum and polyethylene composite), throwing javelin, sculpture remnant, wood, aluminum, cord, lightbulb; Hanging Man fragment: fresco over foam &lt;br /&gt;
66 in x 72 in x 96 in&lt;br /&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2418362522452027434097295087569/HMI_detail7.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2418362522396687201876166432721/HMI_detail4.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2418362522470474178171004639185/HMI_full_figure.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2418362522341346969655037777873/HMI_detail1.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2418362522359793713728747329489/HMI_detail2.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2418362522433580690023585535953/HMI_detail6.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2418362522415133945949875984337/HMI_detail5.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2418362522488920922244714190801/HMI_full1.jpg</image:loc>
                                            <image:caption>










&lt;b&gt;&lt;i&gt;&lt;br /&gt;
Hanging Fresco I &lt;br /&gt;
&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
2016-2018&lt;br /&gt;
Dibond (aluminum and polyethylene composite), throwing javelin, sculpture remnant, wood, aluminum, cord, lightbulb; Hanging Man fragment: fresco over foam &lt;br /&gt;
66 in x 72 in x 96 in&lt;br /&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2418362522507367666318423742417/HMI_full2.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2418594777400772583071746742225/HMI_detail3.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2418669875294935019447496333265/HMII_full.jpg</image:loc>
                                            <image:caption>










&lt;b&gt;&lt;i&gt;&lt;br /&gt;
Hanging Fresco II: Coil of the hotplate starting to glow &lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
2016-2018&lt;br /&gt;
Dibond, throwing javelin, sculpture remnant, aluminum, cord, lightbulb, wall; &lt;i&gt;Hanging Man &lt;/i&gt;fragment: fresco over foam, steel &lt;br /&gt;
40 in x 36 in x 86 in&lt;br /&gt;



</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2418670086491707919348152784849/HMII_detail2.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2418670086528601407495571888081/HMII_detail4.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2418670086436367687127024130001/HMII_detail1.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2418670086510154663421862336465/HMII_detail3.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/you-or-me</loc>
            
            
            <lastmod>2026-04-29T13:39:39+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2409121492583002749074073049041/IMG_7993.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2409121492546109260926653945809/Anderson_09.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2409121492490769028705525290961/15.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2409121492527662516852944394193/Anderson_01.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2409121492509215772779234842577/_MG_7944.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2409121492564556005000363497425/Anderson_Sarah_03.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://sarahanderson.org/slip-of-the-tongue</loc>
            
            
            <lastmod>2026-04-29T13:39:39+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2409075443717517130888440305617/slipofthetongue.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2409075443699070386814730754001/IMG_8253.JPG</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2409075443735963874962149857233/slipofthetongue2.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2409075443662176898667311650769/IMG_8246.JPG</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2409075443680623642741021202385/IMG_8247.JPG</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2409075443754410619035859408849/sliptongueDETAIL1.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://sarahanderson.org/sculpture-1</loc>
            
            
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        </url>
            <url>
                        <loc>https://sarahanderson.org/video</loc>
            
            
            <lastmod>2026-04-30T19:47:00+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2161670552040281284052700485585/thumbnail.jpg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;i&gt;THE GHOST SHIP/FALSE SAILS&lt;/i&gt;&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2161672150690462943943572182993/thumbnail.jpg</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;My Cannibal&lt;/b&gt;&lt;/i&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2162642619618400890402896992209/thumbnail.jpg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;i&gt;Artwork&lt;/i&gt;&lt;/b&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2162644427583787554676050876369/circle.png</image:loc>
                                            <image:caption>Polish</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2914683104420972389102345377745/Untitled-01.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Every Peak Is A Crater&lt;/b&gt;&lt;/i&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2914777453411037125060999632849/Untitled-01.png</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Every Peak Is A Crater&lt;/b&gt;&lt;/i&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/polish</loc>
            
            
            <lastmod>2026-04-30T19:47:02+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/F2914722447692073029055160637393/Anderson_04.mp4</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;Polish (When life depends on 1 of 2 opposite terms)&lt;br /&gt;
&lt;br /&gt;
&lt;/b&gt;&lt;/i&gt;2014&lt;br /&gt;
Single-channel video with sound, 6:18&lt;i&gt;&lt;b&gt;&lt;br /&gt;
&lt;br /&gt;
  Polish&lt;/b&gt;&lt;/i&gt; investigates the connections between craft and the erotics of the body.  This short video follows the autoerotic reproductive process of a large, solid glass ball.  Exploiting the dance inflections and inherent sexual suggestion of the glassmaking process, it follows the ball through its dripping beginnings into its second life as a fetish object-cum-sculpture.  The wet, pink grinding (the process of grinding and polishing finished glass objects) echoes the ball’s original orange, molten state.  These productive processes of glassmaking are translated in the ball’s final life as a sculpture by a kinetic spanking machine.  Its arm erratically hits the twanging spring that holds the harnessed ball in bouncing place.  The female body and pregnancy are both implicated within art/craft-making as both the assertive subject and erotic object.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/the-head-and-the-whale</loc>
            
            
            <lastmod>2026-04-30T19:47:01+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2914710057419907087970950305745/The_Head_and_the_Whale_2min.mp4</image:loc>
                                            <image:caption>&lt;i&gt;&lt;b&gt;THE GHOST SHIP/FALSE SAILS&lt;/b&gt;
&lt;/i&gt;&lt;br /&gt;
Two-channel video, 6:47 minutes&lt;br /&gt;
2013&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
THE GHOST SHIP/FALSE SAILS is a two-channel video installation with a loose narrative told between three “characters”: The Head/Ahab, The Body/The Whale, The Sail. Using footage from Moby Dick, and text from Don Delillo’s The Body Artist and Anne Carson’s The Economy of the Unlost, it tells a story of misread signals, loss and the uncertainty of language and visual communication.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/erotica-for-astronauts</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2914690181772590684803756578769/Sequence-01_WEB.mp4</image:loc>
                                            <image:caption>&lt;b&gt;Work In Progress&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;Every peak is a crater&lt;/i&gt;&lt;/b&gt; is a multidisciplinary project rooted in the landscapes of the Arctic Circle. It considers the implications of imaging those landscapes in allaying climate fears and in the romance of humanist expansion projects (Martian Manifest Destiny). The word “romance” suggests an examination of the metaphor, the story, the seductiveness of the violent myths and narratives used to justify colonialist expansion. “Every peak is a crater” interrogates the new manifest destiny of Mars settlement through parallels in the myth of Hercules and its political origins, told through poetics and queer desire. &lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
The project brings sculpture, drawing, and video practices into dialogue with object-oriented political/environmental concerns built around Ann Carson’s 1998 retelling of Hercules’ 10th labor in verse. Its primary characters are Hercules, an American astronaut/scientist, and Geryon, a mythical red-winged being that was slain by Hercules as his tenth labor. The role of Geryon will be played by tardigrades collected from the cryoconite holes that dot the surface of the Arctic Circle’s glacier ice- the only place where life grows on the polar ice caps. The setting of their abstracted romance will be the land and seascapes of the arctic. &lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
The resilient tardigrade is our sacrificial proxy in research to enable human survival in space and in the pursuit to colonize Mars. Based on recent studies, the environmental factors in these landscapes and in these Arctic and Antarctic territories could be considered the closest to what we believe life would be like on other planets.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2914692018164409966663329503185/Sequence-01_WEB.mp4</image:loc>
                                            <image:caption>&lt;b&gt;Work In Progress&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;Every peak is a crater&lt;/i&gt;&lt;/b&gt; is a multidisciplinary project rooted in the landscapes of the Arctic Circle. It considers the implications of imaging those landscapes in allaying climate fears and in the romance of humanist expansion projects (Martian Manifest Destiny). The word “romance” suggests an examination of the metaphor, the story, the seductiveness of the violent myths and narratives used to justify colonialist expansion. “Every peak is a crater” interrogates the new manifest destiny of Mars settlement through parallels in the myth of Hercules and its political origins, told through poetics and queer desire. &lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
The project brings sculpture, drawing, and video practices into dialogue with object-oriented political/environmental concerns built around Ann Carson’s 1998 retelling of Hercules’ 10th labor in verse. Its primary characters are Hercules, an American astronaut/scientist, and Geryon, a mythical red-winged being that was slain by Hercules as his tenth labor. The role of Geryon will be played by tardigrades collected from the cryoconite holes that dot the surface of the Arctic Circle’s glacier ice- the only place where life grows on the polar ice caps. The setting of their abstracted romance will be the land and seascapes of the arctic. &lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
The resilient tardigrade is our sacrificial proxy in research to enable human survival in space and in the pursuit to colonize Mars. Based on recent studies, the environmental factors in these landscapes and in these Arctic and Antarctic territories could be considered the closest to what we believe life would be like on other planets.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/artwork</loc>
            
            
            <lastmod>2026-04-30T18:59:45+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2621713029760614920531527981009/2-min.mp4</image:loc>
                                            <image:caption>&lt;i&gt;&lt;br /&gt;
&lt;b&gt;Artwork&lt;/b&gt; 
&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2011&lt;br /&gt;
Color HD video with sound, 7:45 minutes&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Artwork&lt;/i&gt; documents the making of a porn video that explores individual fantasy reified and performed through and among objects. Sculptures are purposed as tools and furniture to produce sequences drawn from the fantasy of their maker and the video’s director. These include projection screens and CNC milled benches. &lt;i&gt;Artwork&lt;/i&gt; frames an effort to materialize an individual fantasy life as expansive relations between objects. &lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2621729852803828518094701189073/02.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Artwork (Stills)&lt;/i&gt;&lt;br /&gt;
2011&lt;br /&gt;
Inkjet prints&lt;br /&gt;
36 in x 30 in&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2621730271784726664259747043281/anderson_sarah_02.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Artwork (Stills)&lt;/i&gt;&lt;br /&gt;2011&lt;br /&gt;Inkjet prints&lt;br /&gt;36 in x 30 in</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2621730421885883192034368542673/ANDERSON_SARAH_04.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Sex Bench&lt;/i&gt;&lt;br /&gt;
2011&lt;br /&gt;
Insulation foam, PVC plastic, plywood, climbing rope, rubber, graphite powder in matte medium&lt;br /&gt;
25.25 in  x 19.5 in x 12 in&lt;br /&gt;
&lt;br /&gt;
This sculpture functioned in &lt;i&gt;Artwork&lt;/i&gt; as a prop for a tie-down scene. The lighting conditions from the set are replicated by the drawn graphite shadow on the wall and floor.&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2621730569773430430963843848145/ball_squat_adjust.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Artwork &lt;/i&gt;(Still)&lt;br /&gt;2011</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/my-cannibal</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2621644987746060678059271509969/2-min_smaller_WEB.mp4</image:loc>
                                            <image:caption>&lt;i&gt;&lt;br /&gt;
My Cannibal&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
2014&lt;br /&gt;
Single channel video with sound; 6:30 minutes&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;
&lt;i&gt;My Cannibal &lt;/i&gt;works with ideas of convergence drawn from film and my sculptural practice to describe personal and productive evolution as a kind of cannibalism. The video documents the failed attempt to destroy my fresco sculpture, &lt;i&gt;Hanging Indent&lt;/i&gt;. It positions that process in parallel to the destructively erotic relationship between the two protagonists in Ingmar Bergman’s film &lt;i&gt;Persona&lt;/i&gt;. The video sounds a desultory call-and-response interchange drawn from the film’s monologic dialogue between the active character and the mute subject that she wants to claim and become. I read the text opposite the mute sculpture, enacting a scene of mutually constituted characters. The double is something to be eaten, or something to be demolished.&lt;br /&gt;
&lt;br /&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/exhibitions</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/J2900727688167457833764875524049/wideshot_2.JPG</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 1.32;&quot;&gt;&lt;b&gt;To fill a Gap/ Insert the Thing that caused it ←&lt;/b&gt;&lt;/span&gt;
&lt;br /&gt;
La MaMa Galleria, April 2022&lt;u&gt;&lt;a href=&quot;https://freight.cargo.site/m/Q2900737601613743741941299926993/Sarah-Anderson-Press-Release.pdf&quot; style=&quot;--font-scale: 0.3;&quot; target=&quot;_blank&quot;&gt;press release&lt;/a&gt;&lt;/u&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2900884718622035968494924847057/IMG_8231-copy.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 1.32;&quot;&gt;&lt;b&gt;Conspiracies are Things&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;
Abrons Art Center, February 2017&lt;u&gt;&lt;a href=&quot;https://freight.cargo.site/m/P2900851255970031842336359700433/Conspiracies_20are_20Things_Text_Final.pdf&quot; style=&quot;--font-scale: 0.3;&quot; target=&quot;_blank&quot;&gt;press release&lt;/a&gt;&lt;/u&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2900996488458949498722191529937/chair_al.jpg</image:loc>
                                            <image:caption>&lt;span style=&quot;--font-scale: 1.33;&quot;&gt;&lt;b&gt;My Cannibal&lt;/b&gt;&lt;/span&gt; &lt;br /&gt;Sensei Gallery, New York, NY 2014&lt;a href=&quot;https://freight.cargo.site/m/N2900988307493973505199435798481/PR-sensei-oct-2014.pdf&quot; style=&quot;--font-scale: 0.3;&quot; target=&quot;_blank&quot;&gt;&lt;u&gt;press release&lt;/u&gt;&lt;/a&gt;
</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://sarahanderson.org/info</loc>
            
            
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